tag:blogger.com,1999:blog-81742983843698117452024-03-13T21:08:11.562-07:00Dominique ANTERION, Chargé de Conservation du Patrimoine
Les actus d'un Chargé de Conservation du Patrimoine au quotidien : conservation, acquisitions, restaurations, inventaire, récolement, études et recherches, publications, conférences ...Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.comBlogger59125tag:blogger.com,1999:blog-8174298384369811745.post-41640110110638148892020-07-28T14:42:00.005-07:002020-08-05T01:57:16.689-07:00"Akan, les valeurs de l'échange", la nouvelle exposition du Musée du 11Conti<div style="-webkit-text-stroke-width: 0px; background: none; border-image: none; border: medium; font-family: "times new roman"; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 200%; margin-bottom: 0cm; orphans: 2; padding: 0cm; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Nouvelle exposition pour Dominique
ANTERION, Responsable du Médaillier & des Collections de la
Monnaie de Paris, qui assure désormais le commissariat de "<b><i>Akan, les valeurs de l'échange</i></b>", la nouvelle exposition du Musée du 11Conti - Monnaie de Paris, à admirer du 08 septembre 2020 au 28 février 2021.</font></span></span></div>
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<font color="#ffffff"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">A</span><span style="font-family: georgia, "times new roman", serif;"><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">près "</span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">14-18,
la Monnaie ou le Troisième front</span></span></i></span></em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">" , "</span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">Chic
et utile, l'art du porte-monnaie</span></span></i></span></em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;">" et "<i>Deux ans d'acquisitions et de restaurations à la Monnaie de Paris"</i>, le musée du 11Conti-Monnaie de Paris inaugurera mardi 8 septembre prochain l'exposition
<b><span style="font-size: medium;"><i>"Akan, les valeurs de l'échange".</i></span></b></span></span></span></span></span></font></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Les peuples Akan sont implantés dans la zone forestière de la Côte d’Ivoire et du Ghana. Ils utilisèrent l’or comme moyen de paiement jusqu’à ce que s’imposent les monnaies coloniales dans le courant du XXe siècle. Conservé en poudre dans des petites boîtes, cet or était pesé au moyen de balances et de poids dont l’innombrable variété ne cesse de nous surprendre.</font></span></span></div>
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<a href="https://1.bp.blogspot.com/-MKOltcYItZM/XyCVLonRZuI/AAAAAAAAApA/3QJOg1lqlHMy8EzM9P4d3H9oOxSmt9UyQCLcBGAsYHQ/s1600/akan_02089.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><font color="#ffffff"><img border="0" data-original-height="1600" data-original-width="1141" height="320" src="https://1.bp.blogspot.com/-MKOltcYItZM/XyCVLonRZuI/AAAAAAAAApA/3QJOg1lqlHMy8EzM9P4d3H9oOxSmt9UyQCLcBGAsYHQ/s320/akan_02089.jpg" width="297" /></font></a></div>
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<a href="https://1.bp.blogspot.com/-ROK9u0uy4Bc/XyCVLYS64TI/AAAAAAAAAo8/rgAsqn9OiAgNLJNvf9UI1FFmWkRhsrANwCLcBGAsYHQ/s1600/akan_02268.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><font color="#ffffff"><img border="0" data-original-height="1600" data-original-width="1433" height="320" src="https://1.bp.blogspot.com/-ROK9u0uy4Bc/XyCVLYS64TI/AAAAAAAAAo8/rgAsqn9OiAgNLJNvf9UI1FFmWkRhsrANwCLcBGAsYHQ/s320/akan_02268.jpg" width="297" /></font></a></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff"><br /></font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Plus de deux mille de ces poids ont rejoint les collections de la Monnaie de Paris, grâce à divers legs et dons – le premier en 1979 par Henri Abel, fonctionnaire français qui constitua pendant dix ans une collection dans un territoire qui correspond aujourd’hui à la Côte d’Ivoire, et le dernier qui est survenu en 2018.</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff"><br /></font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">L’exposition <em><b>Akan, les valeurs de l’échange</b> </em>se propose de nous emmèner à la découverte de ces poids en bronze en nous plongeant à travers eux dans le quotidien de cette région d’Afrique, du XVe au XXe siècle. Au-delà de leur rôle d’instrument de pesée, ces poids nous racontent une singulière histoire. Leur univers, éloigné de la vision métrologique occidentale, est ici contextualisé au sein de la riche culture akan et des relations qui lièrent l’Afrique, et notamment la Côte-de-l’Or, avec les mondes musulman et chrétien.</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><b><font color="#ffffff"><br /></font></b></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><b><font color="#ffffff">Cette exposition remercie les prêteurs :</font></b></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Musée du Quai Branly - Jacques Chirac</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Bibliothèque Mazarine</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Bibliothèque Universitaire des Langues et civilisations</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Galerie Noir Ivoire</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Collections privées</font></span></span></div>
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<font color="#ffffff"><span style="font-family: georgia, "times new roman", serif;"></span><span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><br /></span></span></font></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><b><font color="#ffffff">Ont collaboré à cette exposition :</font></b></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Commissaire : Dominique ANTERION</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Architecte : Manon SENDECKI</font></span></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Chargée de production : Marie BERTRAN</font></span></span></div>
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<span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Régisseuse des collections et des espaces : Pernille SOLDAT</font></span></div>
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<span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff">Soclages : Marthe LEBASQUE</font></span></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"><b><font color="#ffffff">"Akan les valeurs de l'échange" se tient en partenariat avec PARCOURS DES MONDES </font></b></span></span></div>
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<a href="https://1.bp.blogspot.com/-azcUhLPqYgM/XyCbFlLYI0I/AAAAAAAAApw/oVyzzXa2odAPrwwFPlUYSV4H9lt6g0xVwCLcBGAsYHQ/s1600/Parcour%2Bde%2Bsmondes.JPG" style="margin-left: 1em; margin-right: 1em;"><font color="#ffffff"><img border="0" data-original-height="551" data-original-width="663" height="165" src="https://1.bp.blogspot.com/-azcUhLPqYgM/XyCbFlLYI0I/AAAAAAAAApw/oVyzzXa2odAPrwwFPlUYSV4H9lt6g0xVwCLcBGAsYHQ/s200/Parcour%2Bde%2Bsmondes.JPG" width="200" /></font></a></div>
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<span style="font-family: georgia, "times new roman", serif;"><font color="#ffffff"><b>Production</b> : </font></span></div>
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<a href="https://1.bp.blogspot.com/-YR5IHRm0CWU/XyCboak9_hI/AAAAAAAAAqA/GlsCKdjFBLASS0WtCnhBuNiMMfYj9gTBwCLcBGAsYHQ/s1600/monnaie_de_paris.jpg" style="margin-left: 1em; margin-right: 1em;"><font color="#ffffff"><img border="0" data-original-height="180" data-original-width="180" src="https://1.bp.blogspot.com/-YR5IHRm0CWU/XyCboak9_hI/AAAAAAAAAqA/GlsCKdjFBLASS0WtCnhBuNiMMfYj9gTBwCLcBGAsYHQ/s1600/monnaie_de_paris.jpg" /></font></a></div>
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<span style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0%; background-position-y: 0%; background-repeat: repeat; background-size: auto;"><span style="font-family: georgia, "times new roman", serif;"></span></span><span style="font-family: georgia, "times new roman", serif;">Billetterie et informations => </span></div>
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<span style="font-family: georgia, "times new roman", serif;">https://www.monnaiedeparis.fr/fr/expositions-temporaires/akan-les-valeurs-de-l-echange</span></div>
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<font color="#ffffff"><b></b></font><i></i><u></u><sub></sub><sup></sup><strike></strike><br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com1tag:blogger.com,1999:blog-8174298384369811745.post-49037197680469488362019-12-06T01:35:00.001-08:002019-12-06T14:30:24.528-08:00Troisième commissariat d'exposition pour deux ans d'acquisitions et de restaurations<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Exposition "Deux ans d'acquisitions & de restaurations des collections du musée de la Monnaie de Paris"</td></tr>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">Pour
la troisième fois consécutive en à peine plus d'un an, Dominique
ANTERION, Responsable du Médaillier & des Collections de la
Monnaie de Paris assurera le commissariat de la prochaine exposition
du musée du 11Conti-Monnaie de Paris.</span> A</span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">près "</span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">14-18,
la Monnaie ou le Troisième front</span></span></i></span></em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">"
puis "</span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Chic
et utile, l'art du porte-monnaie</span></span></i></span></em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">",
le musée du quai Conti inaugure mardi 10 décembre l'exposition
<b><span style="font-size: large;">"Deux ans d'enrichissements et de restaurations des
collections de la Monnaie de Paris".</span></b></span></span></span></span></span></div>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">Dominique
ANTERION, à l'origine de cette manifestation répond aux questions
de Jessica THIAUDIERE en vue du dossier de presse de l'exposition
qui sera diffusé ce vendredi 6 décembre à la presse nationale et spécialisée.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Pour
quelles raisons la Monnaie de Paris fait-elle l’acquisition
d’objets pour ses collections ? </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: Conformément à la loi, la conservation, la restauration et
l'enrichissement des collections confiées par l'Etat à la Monnaie
de Paris lors du passage à l'EPIC font partie des statuts de
l'établissement. Il revient donc à l'équipe de la Conservation du
musée de relever ces missions en vertu des budgets qui lui sont
alloués par l'institution.</span></span></span></span></span></div>
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<tr><td style="text-align: center;"><img border="0" data-original-height="721" data-original-width="960" height="300" src="https://1.bp.blogspot.com/-F5-4hJRj3CI/Xeockw4v7PI/AAAAAAAAAgo/Ni0CUpB6UZon92hmF9iiCrfnTS_zStHNQCLcBGAsYHQ/s400/79913580_2630467950324404_1507195403890589696_o.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Le mufle de lion des portes de l'hôtel de la Monnaie (1776), restauré.</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Quelle
est la politique d’acquisition de la Monnaie de Paris ?</span></span></i></span></em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;"> </span></span></span></span></span></div>
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<span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;"></span></span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: La politique d'acquisitions vise à combler les manques de la
collection tout en envisageant systématiquement leur potentielle
utilisation dans le Parcours Permanent. Il peut s'agir de monnaies,
de médailles, d'outillages, mais aussi de documents contextualisant
tels que des pièces d'archives, des gravures, des livres ou encore
des instruments scientifiques.</span></span></span></span></span></div>
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<tr><td style="text-align: center;"><img border="0" data-original-height="721" data-original-width="960" height="300" src="https://1.bp.blogspot.com/-nQIF3KiFJ20/XeocfM4UHKI/AAAAAAAAAfU/e-wcvzH_-sUoe9apv4YcKsMlNrOy6cgWwCEwYBhgL/s400/74431524_2611994832171716_6289142649009995776_o.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La "Dixme" de Vauban & le Traité de minéralogie de B.G. Sage</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Comment
s’organise cette politique et qui en décide les orientations ? </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: Par sa connaissance des collections (et de ses manques !), mais
aussi par sa connaissance des publics et des attentes des visiteurs
, la Conservation du musée gère elle même les acquisitions qui
peuvent être faites. Des veilles sont organisées, des
consultations régulières de catalogues, mais aussi le bouche à
oreille (très important dans le milieu des musées) permettent de
se tenir informés des objets ou œuvres qui seraient
potentiellement disponibles. Par ailleurs, la réouverture du musée
en 2017 et sa réception extrêmement favorable auprès des
visiteurs a amené nombre de donateurs à se tourner vers la
Monnaie. Il s'agit là d'un cercle vertueux que la conservation
entend développer. Et cette exposition est un bon moyen
d'entretenir la flamme.</span></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Y
a t'il des priorités aujourd’hui en termes d’acquisitions pour
nos collections ? </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: Sans chercher à doublonner d'autres collections nationales, et
comme dit ci-dessus, il s'agit de compléter les collections et le
propos du musée. Les acquisitions se faisant au grès du marché et
des opportunités, aucun axe n'est donné, dans la mesure où le
musée aborde de très nombreux thèmes et qu'une monnaie ou une
médaille permet de très nombreuses "entrées" en terme
de discours muséographique : entrées artistiques, scientifiques,
économiques etc... La conservation juge donc au cas par cas.</span></span></span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Combien
d’acquisitions par an ? </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: C'est extrêmement variable. Le Dépôt Légal (dont l'exposition
expliquera les tenants et les aboutissants) se fait par
l'Etablissement lui même, sur les bases de la Loi. Les dons et les
achats se font au gré des opportunités, des ventes ou des cessions
de fonds (comme l'important lot d'arts graphiques acheté cette
année).</span></span></span></span></span></div>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">Les
dons quant à eux sont généralement suscités par la visite que
les gens font du musée (don de poids Akan). mais aussi par nos
expositions (don de la bibliothèque Forney pour l'exposition 14-18
par exemple).</span></span></div>
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<a href="https://1.bp.blogspot.com/-0azq4cAi9gc/XeocfAR1rtI/AAAAAAAAAg4/1M_2Es_VgAgCmXbts-ViHZq7MGGQL_brACEwYBhgL/s1600/74531726_2587300851307781_4763465279290212352_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: "georgia" , "times new roman" , serif;"><img border="0" data-original-height="721" data-original-width="960" height="480" src="https://1.bp.blogspot.com/-0azq4cAi9gc/XeocfAR1rtI/AAAAAAAAAg4/1M_2Es_VgAgCmXbts-ViHZq7MGGQL_brACEwYBhgL/s640/74531726_2587300851307781_4763465279290212352_o.jpg" width="640" /></span></a></div>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></div>
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<span style="background: transparent;"></span><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
:</span></span></span></span><em><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
</span></span></span></span></em><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Quels
sont vos plus belles acquisitions sur ces 2 dernières années ? </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: Assurément les affiches d'Abel Faivre relatives à la Première
Guerre Mondiale et aux emprunts liés (Don bibliothèque Forney), le
dessin d'Abel Faivre "Contre le franc" (Achat 2019),
l'ouvrage "La Dîme' de Vauban (Achat 2019), mais aussi la
collecte faites dans les ateliers (dessin de candélabre de la
première moitié du XIXème siècle, pu encore les documents sur
les Essais de l'argent de Joseph Gay-Lussac, datés de 1838).</span></span></span></span></span></div>
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<span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="960" data-original-width="720" height="640" src="https://1.bp.blogspot.com/-4KV5FNWXmnA/XeocgBD7GnI/AAAAAAAAAhE/e8EDmhsplyQiB9-gFE-vC9NE7klwCKQgwCEwYBhgL/s640/76611033_2585264954844704_7801471105754988544_o.jpg" style="margin-left: auto; margin-right: auto;" width="480" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gouache sur papier en cours de restauration représentant un candélabre en faïence de Sarreguemines (Vers 1810-1820)</td></tr>
</tbody></table>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Dans
le registre des restaurations le musée semble très actif
également. </span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: Il l'est , comme l'y oblige la loi lorsque une menace pèse sur
l'objet et son intégrité ou que l'objets n 'est pas présentable
en l'état dans le cadre des expositions par exemple. Des
restaurations - rappelons le - toujours menées à bien par des
restaurateurs agrées par le Ministère de la Cuture à l autorité
duquel le musée du 11Conti est soumis. Pour mémo, le Musée de la
Monnaie est classé Musée de France ce qui le soumet à de
nombreuses obligations déontologiques vis à vis des collections et
de leur intégrité. 2018 et 2019 ont vu la restauration d'objets
issus de nombreuses acquisitions faites précisément sur ces deux
dernières années et dont nous avions besoin pour leur présentation
- quasi immédiate sitôt réceptionnés !</span></span></span></span></span></div>
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<span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="721" data-original-width="960" height="480" src="https://1.bp.blogspot.com/-0_vs39MACZo/Xeocgjhve2I/AAAAAAAAAhA/2tO3K5iZTIw94DDNxRrKRLmRYmz2KpV9ACEwYBhgL/s640/76963270_2585200891517777_9065328308492697600_o.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Restauration des poids Akan de la Donation Dumoulin</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" data-original-height="721" data-original-width="960" height="480" src="https://1.bp.blogspot.com/-NsRWB1NF8qM/Xeocf7nWwLI/AAAAAAAAAgs/-MF4_GFGxHItkxtzmNkgKe1mTSAsVWSSgCEwYBhgL/s640/75380139_2587301374641062_741962270468210688_o.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Restauration d'une afiche d'Abel Faivre (Don bibliothèque Forney)</td></tr>
</tbody></table>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">A
noter aussi le remarquable travail de restitution fait par nos
fondeurs sur le médaillier de l'empereur, dégradé voici dix ans
et auquel leur talent a permis de redonner toute l'intégrité !</span></span></div>
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<span style="background: transparent;"></span><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Avez
vous défini un fil rouge dans cette exposition ?</span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">DA</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: L'exposition qui ouvre mardi 10 décembre ne ressemble en aucun
cas à une accumulations de dons et d'achats fait sur les deux ans !
Tous les objets sont exposés (chronologiquement je le précise) en
vertu d'un parcours thématique aux dimensions très variées ! Où
l'on découvre tour à tour les utopies monétaires et fiscale de
Law ou de Vauban, le fiasco des assignats, l'importance des sciences
appliqués aux métaux, le Change des monnaies, les monnayages
"exotiques " et ceux de la Première Guerre Mondiale,
jusqu'aux frappes monétaires contemporaines faites par la Monnaie
de Paris pour les pays étrangers. En somme une exposition qui est
la préfiguration des évolutions de l'actuel musée du 11 Conti.</span></span></span></span></span></div>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></div>
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">Enfin,
point important, cette exposition réutilise nombre de structures et
d'élements des deux préc2dentes expositions ! Une volonté autant
écologique qu'économique ! Mais vous n'aurez pas manqué de noter
que les deux mots ont la meme racine. Logique !</span></span></div>
<span style="background: transparent;"></span><br />
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<span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></div>
<span style="background: transparent;">
</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">JT</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
: </span></span></span></span><em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;">Rendez-vous
donc 11 Quai Conti à partir du 11 décembre et jusqu'au 23 février
, du mardi au samedi de 11:00 à 19:00. Toutes informations via le
lien ci-dessous.</span></span></i></span></em></span></div>
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<em><span style="text-decoration: none;"><i><span style="font-weight: normal;"><span style="background: transparent;"></span></span></i></span></em><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></div>
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<strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">LES
ACQUISITIONS DU MUSEE DE LA MONNAIE EN QUELQUES CHIFFRES</span></span></b></span></span></strong></div>
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<ul>
<li><div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: left; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">Près
de 1700 objets</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
ont été acquis par la Monnaie de Paris de 2017 à 2019 : ces
acquisitions sont destinées à enrichir des collections nationales
confiées statutairement par l'Etat à l'EPIC</span></span></span></span></span></div>
</li>
<li><div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: left; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">La
Monnaie de Paris conserve à ce jour </span></span></span></span><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">300.000</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
objets parmi ses collections.</span></span></span></span></span></div>
</li>
<li><div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: left; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">Les
visiteurs peuvent découvrir</span></span></span></span><strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">
</span></span></span></span></strong><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">1880
</span></b></span></span></strong><span style="text-decoration: none;"><span style="font-style: normal;"><span style="font-weight: normal;"><span style="background: transparent;">œuvres
dans le musée, au sein du parcours permanent</span></span></span></span></span></div>
</li>
</ul>
</div>
<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></div>
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<strong><span style="text-decoration: none;"><span style="font-style: normal;"><u><b><span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;"></span><br /></span></b></u></span></span></strong></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><u><b><span style="background: transparent;">Commissariat
d'exposition</span></b></u></span></span></strong><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">
: Dominique Antérion et Béatrice Coullaré</span></b></span></span></strong></span></div>
<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
<div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: justify; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><u><b><span style="background: transparent;">Production
</span></b></u></span></span></strong><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">:
Mathilde Hivert</span></b></span></span></strong></span></div>
<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
<div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: justify; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><u><b><span style="background: transparent;">Régie
des espaces et des oeuvres</span></b></u></span></span></strong><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">
: Pernille Soldat</span></b></span></span></strong></span></div>
<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
<div style="background: none; border-image: none; border: medium; line-height: 200%; margin-bottom: 0cm; padding: 0cm; text-align: justify; widows: 2;">
<span style="font-family: "georgia" , "times new roman" , serif;"><strong><span style="text-decoration: none;"><span style="font-style: normal;"><u><b><span style="background: transparent;">Montage
et installation </span></b></u></span></span></strong><strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;">:
Antoine Sansonetti</span></b></span></span></strong></span></div>
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<strong><span style="text-decoration: none;"><span style="font-style: normal;"><b><span style="background: transparent;"><span style="font-family: "georgia" , "times new roman" , serif;">Le
musée de la Monnaie remercie tous les donateurs et contributeurs
qui ont rendu possible cette exposition</span></span></b></span></span></strong></div>
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<a href="https://www.linkedin.com/in/d-anterion-currency-curator/"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="text-decoration: none;"><b><span style="background: transparent;">Dominique
ANTERION</span></b></span><span style="text-decoration: none;"><b><span style="background: transparent;">
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><span style="font-family: "georgia" , "times new roman" , serif;"></span>Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-90922517575754807002018-11-23T02:26:00.000-08:002019-12-07T02:27:29.495-08:00"14 18, La monnaie ou le troisième front" : D'excellents retours de presse !<div style="text-align: justify;">
<span style="font-family: Georgia, "Times New Roman", serif;">Quelques retours de presse relatifs à la première exposition du musée de la Monnaie de Paris "14 18, La monnaie ou le troisième front" : </span></div>
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<span style="font-family: Georgia, "Times New Roman", serif;">Rappelons qu'au moyen de son exceptionnelle collection de monnaie de guerre - que viennent éclairer les documents d'Archives prêtés par les institutions partenaires - l'exposition entend expliquer cette période clef de l'histoire monétaire moderne que caractérisent en particulier la démonétisation progressive de l'or puis de l'argent, la mobilisation d’une armée de l’épargne pour reprendre les propos de l’époque, et l’accroissement de l'usage de la monnaie papier (et du chèque postal).! Au-delà, l'exposition permet de porter un regard sur les productions Outre-Rhin de la même époque, que l'on pourrait volontiers qualifier … d'atypiques !</span></div>
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-75361837269477368552018-11-11T01:23:00.000-08:002019-12-07T02:09:44.393-08:00Mon premier commissariat d'exposition : "14 - 18, la monnaie ou le troisième front"<div style="text-align: justify;">
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<span style="font-family: "georgia" , "times new roman" , serif;">A l'occasion du Centenaire de l'Armistice de 1918, la Monnaie de Paris s'associe aux commémorations nationales avec sa première exposition temporaire : "14 - 18, la monnaie ou le troisième front".</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">UNE EXPOSITION FRUIT DU RECOLEMENT : </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Depuis 2002, les musées français sont soumis à l’obligation légale de récolement. Cette opération vérifie que la situation des collections est conforme aux contenus des registres d'inventaires. Le Musée du 11Conti-Monnaie de Paris - labellisé « Musée de France » - n'échappe pas à la règle et a déjà récolé plus de 120.000 objets. Contraignant, le récolement est aussi une opportunité, permettant aux équipes de conservation de passer en revue l’intégralité des collections. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Ainsi, le récolement mené en 2017 a mis en avant l’intérêt exceptionnel de la collection de monnaies papiers de la Monnaie de Paris (26.150 items) avec notamment une part conséquente tenue par la période allant de 1880 à 1930. Fruit du récolement, cette exposition entend mettre en lumière, au moyen de cette collection, les mutations monétaires opérées à l’occasion du conflit de 1914-1918. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">LA MONNAIE OU LE TROISIEME FRONT DE LA GRANDE GUERRE : <br />La Grande guerre, ce sont d'abord deux fronts ! Le premier, sanglant, militaire, tenu par les soldats dans les tranchées, les mers et les airs. Le second, laborieux, celui de « l'arrière », tenu par les mineurs, les ouvrier(e)s, les paysans. Dans cette guerre de positions et d'usure, le premier protège le deuxième, qui lui-même soutient le premier. Mais ces deux fronts n'auraient pu tenir si un troisième ne s'était mis en place, dès avant même le déclenchement de la Guerre : un front monétaire ! </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Au moyen de son exceptionnelle collection que viennent éclairer les documents d'Archives prêtés par les institutions partenaires, l'exposition entend expliquer cette période clef de l'histoire monétaire moderne que caractérisent en particulier la démonétisation progressive de l'or puis de l'argent, la mobilisation d’une armée de l’épargne pour reprendre les propos de l’époque, et l’accroissement de l'usage de la monnaie papier (et du chèque postal) ! </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Au-delà, l'exposition permet de porter un regard sur les productions Outre-Rhin de la même époque, que l'on pourrait volontiers qualifier d'atypiques, tant leur qualité et leur esthétique peut surprendre en pareille période de crise (guerre puis inflation de la République de Weimar) !</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">A noter que la préparation de cette exposition a suscité de nombreux dons tels celui des affiches d'emprunts de guerre d'Abel Faivre données à la Monnaie de Paris par la Bibliothèque Forney. L'exposition a également permis de nouer d'étroites collaboration avec des institutions partenaires pour de nombreux prêts tels ceux faits par MUNAE, les Archives de Lille, de Roubaix, ou les fonds patrimoniaux de BNP PARIBAS.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Cette exposition bénéficie du label de la Mission du Centenaire.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Commissariat : Dominique ANTERION & Axelle JANIAK</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Chargé de production : Nicolas METRO</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Regisseuse des espaces et des œuvres : Pernille SOLDAT</span><br />
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<tr><td class="tr-caption" style="text-align: center;">De gauche à droite, Pernille SOLDAT, Axelle JANIAK et Dominique ANTERION</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-11579449223755122582018-07-18T03:01:00.004-07:002018-07-18T03:01:58.486-07:00EVENEMENT ! La Monnaie de Paris renoue avec son médaillier historique<div style="-webkit-text-stroke-width: 0px; background: 0px 0px; border-image: none; border: 0px rgba(0, 0, 0, 0.75); box-sizing: border-box; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 32px; margin: 32px 0px; orphans: 2; outline: 0px; padding: 0px; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; word-spacing: 0px;">
<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">Après 7 ans d'externalisation dûs au chantier de MétaLmorphose, le site historique de la Monnaie de Paris, Quai Conti (Paris 6ème) retrouve son médaillier historique.</span></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">La conservation du Musée ayat pris le parti de conserver les médailliers en bois, l'architecte de la Monnaie, Nicolas Métro à fait concevoir, au sein d'un espace dédié et hyper sécurisé, de puissants chasis métalliques destinés à recevoir les mobiliers.</span></div>
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<a href="https://2.bp.blogspot.com/-idoke3n0Hfc/W08NkAc4TkI/AAAAAAAAAcs/b3RSExkj16odhE4eYIC3QCjaBkrAw5rHgCLcBGAs/s1600/m%25C3%25A9daillier%2B5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;"><img border="0" data-original-height="541" data-original-width="960" height="360" src="https://2.bp.blogspot.com/-idoke3n0Hfc/W08NkAc4TkI/AAAAAAAAAcs/b3RSExkj16odhE4eYIC3QCjaBkrAw5rHgCLcBGAs/s640/m%25C3%25A9daillier%2B5.jpg" width="640" /></span></a></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">Divisés en blocs de 72 tiroirs chacun, les batis des médailliers y ont été intégrés un par un. Un ilot central a également été conçu pour accueillir les plus belles pièces de la collection métrologique, et notamment les balances à cage de verre (dont celle du Kilogramme étalon). </span></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">Les 1250 tiroirs (50 monnaies chacun en moyenne) ont pu être remis en place un par un grace à l'équipe de CHENUE et de la Conservation. Une chantier rondement mené en moins d'une semaine. La collection de monnaies papier, récemment récolée et classée prendra place dans des meubles spécifiques. Il en sera de même pour les sections métrologiques et scientifiques de petitee taille.</span></div>
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<a href="https://4.bp.blogspot.com/-4iEee_DsH7k/W08N9xlkIiI/AAAAAAAAAc8/4mgO3EqaOWoo4VnUM9Gkq_q4gYVgwNLrQCLcBGAs/s1600/m%25C3%25A9daillier%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://4.bp.blogspot.com/-4iEee_DsH7k/W08N9xlkIiI/AAAAAAAAAc8/4mgO3EqaOWoo4VnUM9Gkq_q4gYVgwNLrQCLcBGAs/s400/m%25C3%25A9daillier%2B2.jpg" width="400" /></span></a></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">A termes, plusieurs machines et mobiliers historiques (dont le médaillier de l'Empereur ou la vitrine "Papillion" de Christian Lacroix) y trouverons prochainement place.</span></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">Le Médaillier a accueilli fin juin ses tout premier visiteurs de marque en la personne d'Aurélien ROUSSEAU, PDG de la Monnaie de Paris, accompagné du Gouverneur de la BCM en visite à Paris et pour qui avait été installée à l'occasion une vitrine à la thématique toute Mauritanienne. </span></div>
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<span style="color: white; font-family: Georgia, "Times New Roman", serif; font-size: large;">Un exemple parmi d'autres de l'utilité d'un tel lieu, au delà de sa seule vocation conservatoire.</span></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><span style="font-size: large;"></span><span style="font-size: large;"></span><span style="font-family: Georgia, "Times New Roman", serif;"></span><br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-82560571344033823962018-06-17T13:51:00.000-07:002018-06-17T13:52:32.632-07:00"14-18, La monnaie ou le troisième front" : la prochaine exposition du Musée du 11Conti se précise.<div class="separator" style="clear: both; text-align: center;">
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<strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span style="color: white;">QUAND UNE CONTRAINTE DEVIENT OPPORTUNITE :</span></strong></div>
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<span style="color: white;">Depuis 2002, les musées français sont soumis à l’obligation légale de Récolement. Le Musée du 11Conti-MOnnaie de Paris labellisé « Musée de France » n'échappe pas à la règle et a déjà récolé plus de 100.000 objets. C'est à l'occasion de cette opération que s'est dégagé l’intérêt exceptionnel de la collection de monnaies papiers (26.150 items) avec notamment une part conséquente tenue par la période allant de 1870 à 1930. Fruit du récolement, cette exposition – soutenue par la DRAC Ile de France et labellisée par la Mission du Centenaire - entend mettre en lumière les mutations monétaires générées durant le conflit de 1914-1918. Ou quand nos objets nous parlent de leur temps…</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: white;">Concept muséo : Dominique ANTERION & Nicolas METRO (Monnaie de Paris)</span></td></tr>
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<span style="color: white;">Au delà des fronts militaires qui demeurent marqués dans les mémoires par le sang versé, un troisième front apparaît avant même le déclenchement de la Guerre : le front monétaire. En effet, et sur un plan économique, l'entrée en guerre de la France se prépare dès 1911 suite à la crise d'Agadir qui oppose notre pays à l'Allemagne. Ce front monétaire ne cessera de se construire tout au long du conflit. *</span></div>
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<span style="color: white;">A partir de son fond - près de 24.000 billets couvrant les conflits de 1870 et 14-18 – et avec l'aide de documents d'Archives, prêts de divers institutions partenaires le musée du 11Conti-Monnaie de Paris entend expliquer comment la France s'est organisée monétairement avec notamment la démonétisation progressive de l'or puis de l'argent, la montée en puissance des alliages non ferreux, et l’accroissement de l'usage du papier monnaie et du chèque postal ! Au delà, elle permettra de jeter un regard sur les productions allemandes de la même époque dont la qualité et l'originalité ne cessent de surprendre. D'autres supports monétaires alternatifs – monnaies timbres, jetons, etc – seront également présentés, témoignant de la nécessité de soutenir les économies locales durant le conflit, tant en France qu'en Allemagne.</span></div>
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-qVproLV8fTk/WybIbuPZuUI/AAAAAAAAAcM/5XYF7UFbODAJOH7QI7yQN4ZVw4qjmdH6QCLcBGAs/s1600/34703784_1765346810169860_8154600632477548544_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: white;"><img border="0" data-original-height="664" data-original-width="960" height="442" src="https://3.bp.blogspot.com/-qVproLV8fTk/WybIbuPZuUI/AAAAAAAAAcM/5XYF7UFbODAJOH7QI7yQN4ZVw4qjmdH6QCLcBGAs/s640/34703784_1765346810169860_8154600632477548544_n.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: transparent; display: inline; float: none; font-family: "times new roman"; font-size: 12.8px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: center; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span style="color: white;">Concept muséo : Dominique ANTERION & Nicolas METRO (Monnaie de Paris)</span></span></td></tr>
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<b><span style="color: white;">INFORMATIONS PRATIQUES :</span></b></div>
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<span style="color: white;"><strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Dates</strong> : du 06 novembre 2018 au 24 février 2019</span></div>
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<span style="color: white;"><strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Lieu </strong>: musée du 11Conti, Monnaie de Paris, 11 Quai Conti, Paris 6ème</span></div>
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<strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"><span style="color: white;">Ouvert tous les jours, sauf le lundi, de 11:00 à 19:00.</span></strong></div>
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<span style="color: white;"><strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Commissariat :</strong> Dominique ANTERION (Monnaie de Paris), Axelle JANIACK (Ecole des Chartes, Master TNAH)</span></div>
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<span style="color: white;"><strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Muséographie & Production</strong> : Nicolas METRO (Monnaie de Paris), Manon SENDEKI (Monnaie de Paris), Pernille SOLDAT (Monnaie de Paris)</span></div>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ooVkav2v7qA/WybIp1TTarI/AAAAAAAAAcQ/MaH8Rm8jG2UVTr2_OuGvBKVsXdp4vlohQCLcBGAs/s1600/34706061_1765346796836528_1309808091469971456_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: white;"><img border="0" data-original-height="678" data-original-width="960" height="452" src="https://1.bp.blogspot.com/-ooVkav2v7qA/WybIp1TTarI/AAAAAAAAAcQ/MaH8Rm8jG2UVTr2_OuGvBKVsXdp4vlohQCLcBGAs/s640/34706061_1765346796836528_1309808091469971456_n.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: transparent; display: inline; float: none; font-family: "times new roman"; font-size: 12.8px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; text-align: center; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span style="color: white;">Concept muséo : Dominique ANTERION & Nicolas METRO (Monnaie de Paris)</span></span></td></tr>
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<span style="color: white;">Dans un prochain post, nous détaillerons chacune des trois parties qui constituent ce parcours.</span></div>
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<span style="color: white;"><strong style="background-attachment: scroll; background-clip: border-box; background-color: transparent; background-image: none; background-origin: padding-box; background-position-x: 0px; background-position-y: 0px; background-repeat: repeat; background-size: auto; border-bottom-color: rgba(0, 0, 0, 0.75); border-bottom-style: none; border-bottom-width: 0px; border-image-outset: 0; border-image-repeat: stretch; border-image-slice: 100%; border-image-source: none; border-image-width: 1; border-left-color: rgba(0, 0, 0, 0.75); border-left-style: none; border-left-width: 0px; border-right-color: rgba(0, 0, 0, 0.75); border-right-style: none; border-right-width: 0px; border-top-color: rgba(0, 0, 0, 0.75); border-top-style: none; border-top-width: 0px; box-sizing: border-box; font-size: 20px; font-weight: 700; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: invert; outline-style: none; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;">Dominique ANTERION, </strong>Commissaire de l'exposition « 14-18, la monnaie ou le troisième front »</span></div>
<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><span style="color: white;"></span><br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-16843882757045599982017-12-27T02:16:00.001-08:002017-12-27T02:33:13.991-08:00Le musée de la Banque Centrale des Comores nait de la collaboration entre Banque de France et Monnaie de Paris<div class="reader-article-content" style="-webkit-text-stroke-width: 0px; background: 0px 0px; border-image: none; border: 0px rgba(0, 0, 0, 0.7); box-sizing: border-box; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; margin: 0px; orphans: 2; outline: 0px; padding: 0px; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; word-spacing: 0px;">
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: large;">Ce 19 décembre 2017 le musée de la Banque Centrale des Comores a été inauguré en grande pompe par la Président de l'Union des Comores, en présence de Mr Imani, Gouverneur de la banque Centrale, de tous les dignitaires de Ngazidia (Grande Comore) et des repésentants des BCEAO et BEAC.</span></div>
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<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-pHE7H6cBLAk/WkNw79URPXI/AAAAAAAAAbg/_A1ZCW6p6Cs_dtuSONL2ia7nhmGzlNBQwCLcBGAs/s1600/BCC%2B2017.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: white; font-family: "georgia" , "times new roman" , serif;"><img border="0" data-original-height="516" data-original-width="761" height="433" src="https://3.bp.blogspot.com/-pHE7H6cBLAk/WkNw79URPXI/AAAAAAAAAbg/_A1ZCW6p6Cs_dtuSONL2ia7nhmGzlNBQwCLcBGAs/s640/BCC%2B2017.JPG" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="-webkit-text-stroke-width: 0px; background-color: transparent; display: inline !important; float: none; font-size: 13.33px; font-style: italic; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span style="color: white; font-family: "georgia" , "times new roman" , serif;">Ci-dessus le Président de l'Union des Comores et le Gouverneur de Ngazidja</span></span></td></tr>
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: large;">Muriel Hausserman et Dominique Antérion - concepteurs et agenceurs muséo de l'exposition permanente - représentant respectivement la Banque de France et la Monnaie de Paris - opérateurs du projet- étaient également présents. </span></div>
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: large;">Dans une ambiance des grands jours, à la fois solennelle et bon enfant, les nouveaux bâtiments de la Banque centrale et du musée ont été l'objet de la plus grande curiosité de la part des autorités présentes, du public et de TV2 qui tournait pour le JT du soir.</span></div>
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: large;">Un an de préparation, plusieurs semaines de fabrications, d'impression, de régie de transport, et seulement deux jours d'agencement et de montage sur place auront été nécessaires pour ce musée, petit par la taille, mais grand par le sens qu'il revêt aux yeux des Comoriens.</span></div>
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<a href="https://1.bp.blogspot.com/-YzI8XHdRa40/WkNxi5CkCMI/AAAAAAAAAbo/t56jo2P5jxY9Jvdf6Wu1Mc55HsxxtcrUwCLcBGAs/s1600/BCC%2B2017.12%2B15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: white; font-family: "georgia" , "times new roman" , serif;"><img border="0" data-original-height="528" data-original-width="960" height="352" src="https://1.bp.blogspot.com/-YzI8XHdRa40/WkNxi5CkCMI/AAAAAAAAAbo/t56jo2P5jxY9Jvdf6Wu1Mc55HsxxtcrUwCLcBGAs/s640/BCC%2B2017.12%2B15.jpg" width="640" /></span></a></div>
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: medium;"><span style="font-size: large;"><span style="color: white;"><span style="-webkit-text-stroke-width: 0px; background-color: transparent; display: inline !important; float: none; font-family: Source Serif Pro,serif; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 32px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">La motivation sans faille de la jeune et dynamique équipe de la BCC a été moteur dans la genèse et l'aboutissement de ce projet. </span>Tandis que la Banque de France s'est faite déposant de billets e</span></span></span><span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: medium;"><span style="font-size: large;">t de plaques d'impression, la Monnaie de Paris a quant à elle mis en dépôt longue durée près de 40 outillages et monnaies dont la très rare 5 francs en argent du Prince Saïd Ali (1898) créée quai Conti par les Graveurs Jean Lagrange et Auguste Patey.</span></span></div>
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<span style="color: white; font-family: "georgia" , "times new roman" , serif; font-size: large;">Ce musée s'inscrit dans le cadre d'une coopération étroite unissant la France et l'Union des Comores au niveau des secteurs monétaire et bancaire. Le musée vient donner à cette coopération une profondeur historique non négligeable.</span></div>
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-43576390235475664502017-12-09T08:14:00.000-08:002017-12-09T08:15:24.414-08:00Inauguration prochaine du Musée de la Banque Centrale des Comores<div style="-webkit-text-stroke-width: 0px; background: 0px 0px; border-image: none; border: 0px rgba(0, 0, 0, 0.7); box-sizing: border-box; font: 400 21px/32px Source Serif Pro,serif; letter-spacing: normal; margin: 32px 0px; orphans: 2; outline: 0px; padding: 0px; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; word-spacing: 0px;">
<span style="color: white;">La Monnaie de Paris, fournisseur historique du numéraire métallique de la République des Comores s'est vue associée à la Banque de France pour la création du musée de la Banque Centrale des Comores à Moroni. Modeste de part l'histoire monétaire relativement récente du pays, le musée n'en sera pas moins riche en éléments rarement présentés !</span></div>
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<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-M1zLYo-tuto/WiwKaVXrqoI/AAAAAAAAAa8/y5bVwPHMDFo4Hkq16v8qVA_yR_Lpud2nQCLcBGAs/s1600/146-201463016627_original.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="386" data-original-width="800" height="308" src="https://4.bp.blogspot.com/-M1zLYo-tuto/WiwKaVXrqoI/AAAAAAAAAa8/y5bVwPHMDFo4Hkq16v8qVA_yR_Lpud2nQCLcBGAs/s640/146-201463016627_original.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="-webkit-text-stroke-width: 0px; background-color: transparent; display: inline !important; float: none; font-family: Source Serif Pro,serif; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 32px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span style="color: white; font-size: x-small;">5 francs d'argent au nom du Sultan Said Ali bin Said Omar, oeuvre de Auguste Patey en 1898 (Musée de la Banque Centrale des Comores, Dépôt de la Monnaie de Paris)</span></span></td></tr>
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<span style="color: white;">Pour sa part, la Conservation du musée de la Monnaie de Paris s'est vue solicitée pour le dépôt (Convention bipartite plurianuelle) d'outillages monétaires et d'exemplaires d'essais monétaires et de monnaies courantes de 1898 à 2013.</span></div>
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<span style="color: white;">Parmi les monnaies les plus remarquables de son fond moderne étranger, la Monnaie a consenti le dépôt de la fameuse 5 francs d'argent au nom du Sultan Said Ali bin Said Omar (en bandeau de l'article). Oeuvre de Auguste Patey en 1898 et connue pour l'originalité de son revers, elle n'est aujourd'hui connue qu'à un petit nombre d'exemplaires. Un tel dépôt est la preuve de l'amicale confiance qui continue de nourrir les relations entre le "Quai Conti" et "la Place de France" !</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Banque Centrale des Comores, Moroni</td></tr>
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<span style="color: white;">Le musée sera prochainement inauguré par les autorités comoriennes en présence des représentants de la Banque de France et de la Monnaie de Paris.</span></div>
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<b></b><i></i><u></u><sub></sub><sup></sup><strike></strike><br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-55517403883464536902017-12-03T08:58:00.002-08:002017-12-09T08:06:03.600-08:00Réintégration du médaillier monétaire historique de la Monnaie de Paris : 800 tiroirs, 40.000 objets. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<i style="font-size: 12.8px; padding-top: 0px;">Ci-dessus une vue partielle des médaillier historiques de la Monnaie de Paris. </i></div>
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<i style="font-size: 12.8px; padding-top: 0px;">Etape n°1 : faire entrer dans les cartons du dessus les 800 tiroirs du dessous :-)</i></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Après 10 ans d'externalisation en site sécurisé, le médaillier monétaire historique de l'Hôtel de la Monnaie de Paris s'apprête à regagner le Quai Conti.</span> </div>
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mise aux normes de sécurité, accessibilité PMR, et respect des conditions de conservation préventive sont les maîtres mots de ce projet au cours duquel près de 40.000 objets seront reconditionnés, transférés, relocalisés informatiquement, et remis en place dans de nouveaux locaux flambant neufs au cœur même du site historique de l'Hôtel de la Monnaie. </span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Un chantier de 4 mois qui en aurait bien mérité quatre de plus ! Challenge à relever donc, et que nous relèverons comme à notre habitude :-)</span></div>
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-565159564340832262017-12-02T06:18:00.001-08:002017-12-02T14:04:22.367-08:00Récolement de la collection de monnaies papier de la Monnaie de Paris : opération terminée !<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Le récolement de la collection de monnaies papier de la Monnaie de Paris, entamé en avril 2017, s'achève ce mois de décembre, dans les délais prévus, en dépit d'une année rendue compliquée par l'ouverture du Musée du 11Conti-Monnaie de Paris ! Pari tenu donc !</span></div>
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<a href="https://2.bp.blogspot.com/-snp8RWtG8Ks/WiKy4_iJrCI/AAAAAAAAAYs/UIB_BIfivg4p_uHdZDxzzKH8FJ3EXbdxwCLcBGAs/s1600/costa%2Brica.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1001" data-original-width="1140" height="561" src="https://2.bp.blogspot.com/-snp8RWtG8Ks/WiKy4_iJrCI/AAAAAAAAAYs/UIB_BIfivg4p_uHdZDxzzKH8FJ3EXbdxwCLcBGAs/s640/costa%2Brica.jpg" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L'outil de récolement utilisé (conçu en interne voilà trois ans) aura permis non seulement de mener à bien cette opération d'ampleur en un temps record, mais aussi de permettre l'interface avec la société de numérisation en charge de photographier (marché de type MAPA) l'ensemble des items récolés, d'en nommer les fichiers images, et d'en incruster nommages et échelles.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">L'opération a été menée sous mon autorité par une stagiaire en MASTER 2 de l'Ecole des Chartes : identification, inventaire, récolement, reconditionnement, livraison à la numérisation et réception des fichiers images ... Je lui sais gré du travail rigoureux, souvent fastidieux, qu'elle a accompli.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Au 31 décembre 2017, la collection de monnaies papier de la Monnaie de Paris s'élève donc au chiffre hallucinant de près de 24.800 items répartis en assignats, billets de banque français et étrangers, monnaies de guerres françaises et étrangères, bons de camps de prisonniers et autres monnaies papier de nécessité.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Cette collection - numériquement une des plus conséquentes au monde - est en cours de reconditionnement et intégrera en mars 2018 le nouveau médaillier de la Monnaie de Paris. Ainsi se conclura un des plus importants chantiers de collections menés en France ces dix dernières années.</span></div>
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<span style="font-family: "georgia";"></span><b></b><i></i><u></u><sub></sub><sup></sup><strike><br /></strike>Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-61357923809116190402017-10-22T12:26:00.001-07:002017-10-22T12:26:11.015-07:00Poinçons et coins d'aciers<span style="font-family: Georgia, "Times New Roman", serif; font-size: large;">Poinçons royaux ou de la République, </span><br />
<span style="font-family: Georgia, "Times New Roman", serif; font-size: large;">Coins de l'Ancien Régime ou de la Révolution, </span><br />
<span style="font-family: Georgia, "Times New Roman", serif; font-size: large;">le fer et l'acier règnent en maître dans nos réserves pessacaises</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Coin à l'effigie de Marianne par Augustin Dupré, sur fond de poinçons d'époque Louis XIV</td></tr>
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-78238583276492923812017-09-30T01:40:00.000-07:002017-12-02T03:24:45.434-08:00Musée du 11 Conti - Monnaie de Paris : ouverture au public !<span style="font-family: "georgia" , "times new roman" , serif;">Après une semaine d'inauguration et de présentation aux médias français et étrangers, aux sponsors, aux grands clients, le Musée du 11 Conti - Monnaie de Paris ouvre ses portes au public ce 30 septembre 2017.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Musée du 11 Conti-Monnaie de Paris, la Cours des fonderies Benjamin Franklin</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">Un grand jour pour toutes les équipes qui ont œuvré à sa mise en œuvre . </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Bienvenue à nos premiers visiteurs et bon courage à tous ceux qui, de la billetterie au gardiennage, vont assurer la bonne marche de l'établissement.</span><br />
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<span style="font-family: "georgia";">A 14:00 ce 30 septembre la barre des 1000 visiteurs était déjà franchie :-) De bon augure !</span><br />
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-47237646846759106442017-09-23T13:36:00.001-07:002017-12-02T09:41:12.388-08:00Le musée du 11 Conti - Monnaie de Paris est inauguré ce 25 septembre 2017<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Nous y sommes ! Après 6 ans de recherches, d'écritures, de conception, de travaux (... de galères aussi... ) la reconstruction du tout nouveau Musée de la Monnaie de Paris, le "11 Conti" touche à son terme, pour une inauguration - comme prévu - lundi 25 septembre.</span></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">C'est un moment unique dans une carrière d'avoir pu accompagner de bout en bout un </span><span style="font-family: "georgia" , "times new roman" , serif;">pareil projet, d'en avoir initié des pans entiers, de l'avoir défendu, enrichi ... </span><span style="font-family: "georgia" , "times new roman" , serif;">Ce soir, mes yeux sont humides à la pensée de tous les collègues, collaborateurs, prestataires, français et étrangers avec lesquels nous avons travaillé pendant toutes ces années !</span></span></div>
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Dominique ANTERION, Chargé de conservation des collections de la Monnaie de Paris </div>
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/ Currency curator at Paris Mint museum (Photo David Rollinger)</div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Cette semaine nous livrons les quelques 1200m2 d'exposition permanentes et les 1897 objets exposés, aux officiels, à la presse audiovisuelle et écrite, aux influenceurs...</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mais rassurez, vous le 30 septembre, le "11 Conti" est à vous !</span></div>
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-34119090848793821592017-06-25T02:21:00.004-07:002017-06-25T02:21:45.209-07:00Nouveau MUsée de la MOnnaie de PAris : à admirer bientôt 11 Quai Conti (1)<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Petit florilège de ce que la Monnaie de Paris vous donnera à admirer à partir du 25 septembre prochain :-)</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Trésor de la rue Mouffetard, Paris, XVIIIème siècle</td></tr>
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-38412354657429377672017-06-25T01:26:00.001-07:002017-06-25T01:31:05.858-07:00Musée de la Monnaie de Paris : C'est parti pour la mise en place des 1839 objets du Parcours permanent !<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">10 salles,</span></span><br />
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">70 vitrine, </span></span><br />
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">1200 mètres carrés d'exposition permanente,</span></span><br />
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">1839 minerais, monnaies, médailles, outillages, tableaux, et meubles précieux ....</span></span><br />
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">....Ce sont là quelques chiffres du futur Parcours permanent du musée de la Monnaie de Paris !</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Vitrines Goppion des poinçons de la Monnaie des médailles (XVIIème et XVIIIème)</td></tr>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Avant cela, ce seront six semaines de soclage et de mise en espace des oeuvres suivies de quatre autres semaines de numérotage des cartels et de nettoyage final, le tout bien sûr sous haute sécurité, et sureté maximale :-) ! </span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Préfiguration de la vitrine "Atelier monétaire de Paris" </td></tr>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Fort de tout cela, le 25 septembre 2017 , le nouveau musée de la Monnaie de Paris pourra alors ouvrir ses portes, vous livrer ses trésors et.... moi prendre mes vacances :-) </span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Médaillier "Boulle" (anc.coll.Hubert de Givenchy) et médaille "Louis XIV" par Bertinetti</td></tr>
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-91814083024886725232017-04-02T02:34:00.000-07:002017-04-02T02:34:18.425-07:00Inventaire et récolement de la collection de monnaies papier de la Monnaie de Paris, c'est parti !<div class="article-title" itemprop="headline">
<span style="font-family: Georgia,"Times New Roman",serif;"><span style="font-weight: normal;"><span style="font-size: large;">Inventaire et récolement de la collection de monnaies papier de la Monnaie de Paris, c'est parti ! 17.000 items estimés ! Rendez-vous en fin d'année pour le chiffre exact :-)</span></span></span></div>
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<span style="font-size: large;">https://www.linkedin.com/pulse/inventaire-et-r%C3%A9colement-de-la-collection-monnaies-papier-anterion</span><br />
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-53263550559111579112017-04-02T02:06:00.004-07:002017-04-02T02:06:58.481-07:00Récolement des monnaies modernes et antiques terminé : près de 11.500 items !<div style="text-align: justify;">
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Le récolement des collections de monnaies modernes (XVème -XIXème) françaises et étrangères est terminé avec plus de 8700 numéros récolés et numérisés ! Ajoutons les monnaies antiques faites dans la foulée avec près de 3000 numéros ! Et pour conclure, les 1840 objets qui seront exposés dans le futur musée de la Monnaie de Paris (en photo, extrait du récolement du trésor d'Uzès qui sera présenté en salle 4 du musée). Un excellent score pour cette triple campagne quelques peu acrobatiques entre Hôtel du Quai Conti et réserves externalisées :-)</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Détail du fichier de numérisation du Trésor d'Uzès (Gard, XVème siècle, coll. Monnaie de Paris)</td></tr>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">2017 s'annonçant très chargée avec l'ouverture du musée (prévue pour fin septembre), le prochain récolement fera l'objet de deux recrutements ponctuels. Une première en terme de management ce qui me concerne... Article à suivre.</span></span></div>
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com2tag:blogger.com,1999:blog-8174298384369811745.post-90306422004215678552016-03-05T13:00:00.000-08:002016-03-05T13:01:36.546-08:00Numérisation 2016, c 'est parti !<div style="text-align: justify;">
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Et c 'est parti pour deux ans de numérisation de nos collections monétaires ! Un Canon avec un capteur plein format (24-36), un objectif 50mn, un bon écran graphique, un peu de bidouille (il en faut toujours un peu !), beaucoup de savoir faire de la part de notre jeune photographe et ... beaucoup de patience ! </span></span></div>
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<a href="https://2.bp.blogspot.com/-yyRIbq4quks/VttHBzLSNAI/AAAAAAAAAT0/oVzvRrsRhmM/s1600/12733521_1009772289060653_3085675573689015982_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://2.bp.blogspot.com/-yyRIbq4quks/VttHBzLSNAI/AAAAAAAAAT0/oVzvRrsRhmM/s640/12733521_1009772289060653_3085675573689015982_n.jpg" width="360" /></a></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Monnaie après monnaie, tiroir après tiroir, toute la richesse de la collection historique de la Monnaie de Paris se révèle. Cliché après cliché, chaque pièce se révèle et nous raconte les petits secrets de sa fabrications, ou les incidents de sa circulation ! Bien plus que du récolement, nous menons là finalement l'étude scientifique de cette collection unique et pourtant méconnue...</span></span></div>
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<a href="https://1.bp.blogspot.com/-SHP91NuD9HI/VttHvaXFrKI/AAAAAAAAAT8/kVwMEJ5uAKs/s1600/12705354_1009772322393983_3269223607492315393_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-SHP91NuD9HI/VttHvaXFrKI/AAAAAAAAAT8/kVwMEJ5uAKs/s640/12705354_1009772322393983_3269223607492315393_n.jpg" width="444" /></a></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Démarrage avec les monnaies modernes françaises et étrangères soit un peu plus de 8740 pièces ! Premiers résultats dans quelques jours !</span></span><br />
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-52070671418007608942016-02-03T06:13:00.003-08:002016-02-03T06:25:16.094-08:00Le Récolement décénal : légal et nécessaire<div style="text-align: justify;">
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Me voilà donc pleinement engagé dans la phase de récolement actif (1) des collections patrimoniales monétaires, jetonnières, scientifiques et métrologiques dont j'ai la charge. </span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Des dizaines de milliers d'objets à pointer, à lister (à dépoussiérer aussi <span style="font-family: "georgia" , "times new roman" , serif;">^^</span>) afin <span style="font-family: "georgia" , "times new roman" , serif;">de </span>vérifier la conformité de leur présence, <span style="font-family: "georgia" , "times new roman" , serif;">de leur </span>état (... parfois leur<span style="font-family: "georgia" , "times new roman" , serif;"> </span>absence... ) avec les registres.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-j9iQ_XM4nDY/VrIKG2aK01I/AAAAAAAAATk/ATfT-qzikDQ/s1600/R%25C3%25A9colement%2BMdP.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="360" src="http://3.bp.blogspot.com/-j9iQ_XM4nDY/VrIKG2aK01I/AAAAAAAAATk/ATfT-qzikDQ/s640/R%25C3%25A9colement%2BMdP.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-small;">Récolement des monnaies russes du XIXème siècle</span></span></span></td></tr>
</tbody></table>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Et pour cela la nécessité de passer intégralement en revue chaque médaillier, chaque tiroir, chaque alvéole !</span></span></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Une bonne occasion pour connaître sur le bout des doigts (ou presque !) ces quatre secteurs de la collection qui m'incombent pleinement désormais, et qui m'amène à aller de découverte en découverte... Les charmes du métier :-)</span></span><br />
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<span style="font-size: small;">(1) "<i>Les
collections des musées de France font l'objet d'une inscription sur un
inventaire. Il est procédé à leur récolement tous les dix ans</i>". Cf.
article L 451-2 du Code du Patrimoine (article 12 de la Loi du 4 janvier 2002
relative aux musées de France).</span></div>
<span style="font-size: small;">
</span><br />
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<div style="text-align: justify;">
<br /></div>
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-521721138206256682016-01-30T02:46:00.002-08:002016-01-30T04:00:59.468-08:00J'ai vu le Poids Kilogramme étalon n°17 !<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Aujourd'hui, je suis allé - enfin !- découvrir le Poids Kilogramme étalon
N*17 dont j'ai officiellement la responsabilité depuis octobre 2014 .... Objet dont le rapport avec moi, je le concède, peut échapper de prime abord ! Un petit retour en arrière s'impose <i class="_4-k1 img sp_fM-mz8spZ1b sx_7f72ac"><u></u></i>... </span></span></div>
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<tr><td style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><a href="http://2.bp.blogspot.com/-EY2-VOSEa0c/VqySfu8IsAI/AAAAAAAAATI/tbyBXvW_MLE/s1600/1715137707-mettler-toledo-metas-1367921000.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="368" src="http://2.bp.blogspot.com/-EY2-VOSEa0c/VqySfu8IsAI/AAAAAAAAATI/tbyBXvW_MLE/s640/1715137707-mettler-toledo-metas-1367921000.jpg" width="640" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;">Le poids kilogramme étalon en platine iridié, sous sa double cloche de verre. A gauche, sa pince dédiée sur son coffret d'acajou.</span></span></span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Il était une fois, le Bureau International des Poids & Mesures
qui en 1889 attribua à la France, et plus précisément à La Monnaie de
Paris, le Kilogramme étalon en platine iridié. Un poids "Maître"
indispensable aux étalonnages de tous les autres poids utilisés su<span class="text_exposed_show">r
le territoire. Un poids à surveiller aussi en raison de l'inévitable
"dérive" que lui provoque la surcharge (de l'ordre de quelques
milliardièmes certes, mais à ce niveau d'excellence c'est beaucoup !) d'agents atmosphériques. Aussi, en 1949, le poids - protégé sous sa double cloche de verre - fut il remis au Service
des Instruments de Mesure du Ministère de l Industrie et du commerce
pour subir une nouvelle détermination et un nettoyage adapté. Et depuis
cette date, la Monnaie n'entendit plus jamais parler de son poids de
platine.... </span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span class="text_exposed_show">Parmi mes bonnes résolutions de ce 1er janvier, celle de
le retrouver ! Après 3 semaines d'une passionnante enquête menée à
partir de nos archives et de contacts du Conservatoire National Supérieur des Arts et Métiers, j<span style="font-family: "georgia" , "times new roman" , serif;">'</span>ai enfin pu "remettre la main" sur le dit objet ce
29 janvier 2016 au Laboratoire National des Essais à Paris<u><i>.</i></u> LNE qui se demandait si un jour son propriétaire se manifesterait enfin ! </span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span class="text_exposed_show">Quant à repartir avec mon dû, cela.... ne sera fera jamais plus ! Conditionné en salle blanche et stérile le n*17 doit y rester
définitivement afin de ralentir au maximum la dérive évoquée. Car ce
poids sert toujours à étalonner les poids de référence qui permettent
eux-même d'étalonner nos poids du commerce ! Mieux, il va servir à la
création du nouveau <i><span style="font-family: "georgia" , "times new roman" , serif;">K</span>g</i> étalon qui ne sera plus qu'une donnée
mathématique entre poids gravitationnel et poids défini par la balance de Watt. <span style="line-height: 115%;">Le
principe étant - pour faire simple - d'équilibrer le poids d'une masse par la force de Laplace
engendrée sur une bobine par un flux d'induction magnétique </span>! </span></span></span><br />
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-7X54T2XEHio/VqyU9BuJ7II/AAAAAAAAATU/6G4KCjWxTfQ/s1600/kilogramfrance.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="468" src="http://4.bp.blogspot.com/-7X54T2XEHio/VqyU9BuJ7II/AAAAAAAAATU/6G4KCjWxTfQ/s640/kilogramfrance.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;">Le poids kilogramme étalon en platine iridié</span></span></span></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span class="text_exposed_show">Quelle curieuse impression (d<span style="font-family: "georgia" , "times new roman" , serif;">an</span>s cette salle blanche, sans
bruits, sans souffles) de venir visiter un petit "malade" (39mm x 39mn) condamné à vie à
demeurer dans cette bulle. Un moment étonnant, passionnant, qui doit
aussi beaucoup à la qualité de l'accueil réservé par Patrick Pinot et
Florian Beaudoux que je remercie chaleureusement. Je suis reparti léger.... au propre
comme au figuré ^^.... Mon petit poids est entre de bonnes mains. </span></span></span><br />
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Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com1tag:blogger.com,1999:blog-8174298384369811745.post-56542569167176836092016-01-24T03:55:00.002-08:002016-01-25T02:18:10.045-08:00Conférence "L'épopée de Gilgamesh, l'homme qui ne voulait pas mourir" <span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">Ma c</span>onférence "<i>L'épopée de Gilgamesh, l'homme qui ne voulait pas mourir</i>" est prête ! Conçue à partir des travaux et traductions de Jean Bottéro (Gallimard, 1992)
et de la série d'émissions "<i>L"épopée de Gilgamesh</i>" (réalisation Michel
Bossuet) diffusée sur France Culture en août 1997.</span></span><br />
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-zqvc-7UHgCY/VqS7SScHEQI/AAAAAAAAAS4/wKIVIjxlVUo/s1600/11%25C3%25A8me%2Btablette_British_Museum_ME%2BK%2B3375_petit.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="http://3.bp.blogspot.com/-zqvc-7UHgCY/VqS7SScHEQI/AAAAAAAAAS4/wKIVIjxlVUo/s400/11%25C3%25A8me%2Btablette_British_Museum_ME%2BK%2B3375_petit.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">11ème tablette_British_Museum_ME K 3375</td></tr>
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<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span>Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-30598741385730196212016-01-08T12:55:00.002-08:002016-01-08T12:55:11.149-08:00SITEM 2016, on y va !<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-lO6oImr3BwQ/VpAiBQesqwI/AAAAAAAAASo/Hvj9TW6W4as/s1600/Sitem%2B2016.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="134" src="http://4.bp.blogspot.com/-lO6oImr3BwQ/VpAiBQesqwI/AAAAAAAAASo/Hvj9TW6W4as/s640/Sitem%2B2016.JPG" width="640" /></a></div>
<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-49284107707655583352016-01-04T11:19:00.002-08:002016-01-04T11:23:05.542-08:00PROCHAINE CONFERENCE : L'art du vitrail français du Moyen-Age à nos jours <span style="font-family: Georgia,"Times New Roman",serif;">Mercredi 06 janvier, 18:00, conférence de Dominique Antérion "L'ART DU
VITRAIL FRANÇAIS DU MOYEN-AGE A NOS JOURS". Organisée par la société des
amis du musée de Vernon (27). Entrée libre dans la limite des places
disponibles.</span><br />
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<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-aKN0IWrB2PY/VorFJKo4uWI/AAAAAAAAASY/dWS0NTc7gU8/s1600/Rennes%2BMBA%2BP1090844.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://4.bp.blogspot.com/-aKN0IWrB2PY/VorFJKo4uWI/AAAAAAAAASY/dWS0NTc7gU8/s640/Rennes%2BMBA%2BP1090844.JPG" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">L'histoire de Gargantua, peinture sur verre, XIXème siècle, Musée des Beaux Arts de Rennes</td></tr>
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0Vernon, France49.091958 1.488107000000013649.008773 1.3267455000000137 49.175143 1.6494685000000135tag:blogger.com,1999:blog-8174298384369811745.post-33626343047871852022015-12-31T13:45:00.002-08:002015-12-31T13:45:23.681-08:00BELLE & HEUREUSE ANNEE 2016<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-bJO7ncFXK5c/VoWhrXT_edI/AAAAAAAAASI/vCJthXr_2B0/s1600/Holidays_Christmas_459698.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="360" src="http://3.bp.blogspot.com/-bJO7ncFXK5c/VoWhrXT_edI/AAAAAAAAASI/vCJthXr_2B0/s640/Holidays_Christmas_459698.jpg" width="640" /></a></div>
<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0tag:blogger.com,1999:blog-8174298384369811745.post-73963520775630074492015-12-28T12:56:00.002-08:002015-12-28T12:56:49.083-08:00Rébus de Noël & de Nouvel An ...<br />
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-RY0_51RcWlc/VoGg_57d5dI/AAAAAAAAAR4/vGN9h73X9qs/s1600/Meilleurs%2Bvoeux%2Bm%25C3%25A9daille%2Br%25C3%25A9bus.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="305" src="http://2.bp.blogspot.com/-RY0_51RcWlc/VoGg_57d5dI/AAAAAAAAAR4/vGN9h73X9qs/s640/Meilleurs%2Bvoeux%2Bm%25C3%25A9daille%2Br%25C3%25A9bus.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Médaille rébus (création Monnaie de Paris)</td></tr>
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<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">Tout est dit ! A vous de trouver ! ... </span></span><br />
<span style="font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;">En attendant Bonne & Heureuse Année 2016 à celles et ceux qui passeront sur ces pages.</span></span><br />
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<br />Dominique ANTERIONhttp://www.blogger.com/profile/12848941181473111111noreply@blogger.com0